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Obsolete's Ray Azoulay and Devon Aoki |
Fifty is a milestone. Like 16, 21 and, I recently learned, 40 before it, 50 claims its own category, a cottage industry brimming with its own cards, napkins, styrofoam gravestones, and other commercial and cultural trimmings to mark the moment.
Thankfully, we were spared of all that treacly flotsam at a birthday celebration for Ray Azoulay, as unpretentious as it was chic. We washed down fried chicken and seven-layered red velvet cake with glasses of cold rose, and danced to a jazz-hip hop quartet which is the Tuesday night house band at the local dive bar, The Brig.
Ray is a consummate aesthete in every facet of his life. He’s a more towering presence than his physical height already reaches, thanks to both a jaunty personality and sartorial sense. We first spotted Ray at MOCA’s Murakami gala last fall, a giant figure in antique welder’s goggles, a fur-collared coat and floor-length Yoji Yamamoto skirt. “What is that!” I declared happily.
I found out a week later, when we opened our Venice branch of A+R. Through a triangle glass revealing a slice of stairs to the loft above our shop, I spotted Ray, dressed in red plaid Yoji trousers and inky black riding boots. “It’s him!” I yelled. The silver-haired fox lives upstairs. His home is as carefully curated as his wardrobe, each room minimally outfitted with an eccentric mix of art and ornaments: surrealistic modern paintings, a tar-coated teddy bear, discarded wood paneling from New York’s Lincoln Center, an enormous bust from an old public library and a Victorian-era taxiderm baboon (the home and owner are profiled in the July issue of Angeleno Magazine).
Ray’s shop Obsolete, on Main Street in Santa Monica, is similarly a treasure chest tricked out with finds from his constant travels-- stuffed bobcats, skulls affixed with silver screws, life-sized artist mannequins and other utterly bizarre curios.
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In the pince-nez Ray gave me |
That might also describe some of us at Saturday night’s party, which was kept at a jolly pace thanks to Ray’s dynamic duo pals, the Nancys (MacNamara and Lucas, whom I met eons ago at Armani and Chanel). Obsolete might be a shop by day, but on this evening, we were all more than perfectly at home.
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Dancing Duo: Nancy Mac and Andy |
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2、This to the world 100 days before the baby, charming phone long a Pan Huhu small brains. Those Xixishushu hair, Xianggang unearthed seedlings, as yellow, but as vibrant. That cute little face, jewelery for women like Shutou apples, sweet Youhong You can Taorenxihuan! One of the Xiaozui happy to, tongue slightly rolled up, jewelery like singing, like the recollection of the mother sweet Naizhi. Because too fat, chin almost into two. Smile on the face of the eye muscles Jicheng jewelrybox two Wanwan curve, like crystal bright moon. Two in front of the eyes Ceshi, greed and watch this beautiful world. Shuzhe showjewelery ear upward, as if to listen to the voices around wonderful. A bridge of the nose like the small bell like embedded in the center, a three-dimensional type, is so striking. This little beautiful jewelery baby how lively, how cute, she is simply a small angel.
3、Qi keep her ears with short hair, beautiful jewelery head always Yizuoyiyou to Qiazhe two hairpin, beautiful jewelery the Long hair closely behind the ear, showing a smooth Bai Jing faces. Her little eyes, careful long, beautiful jewelery but very look good, smile turned into a two joints. bright jewelery Nose slightly Shangqiao, a Qiaopi gives the impression that it is extremely cute. She usually is the most like to wear the dress of a white Landi, Qunbai You Kuanyou large. bright jewelery Her running, dress like a flower, like butterflies fly up.